Jeffrey Low
email: jeffctlow@yahoo.com



Wednesday, January 20, 2010

THE CHINESE BAMBOO CAGES

When the Chinese migrants came to Singapore, they brought along with them their skills and methods of keeping songbirds. Their influences on the ways to keep and appreciate songbirds are still deeply rooted in the hobby here today. The use of circular chinese bamboo cages here, originates from these early migrants.

SIZES OF CAGES FOR EACH SPECIES: The sizes of circular chinese bamboo cages are defined by the diameters of the cages which is similar to the lengths of the centrally placed perches. The tradition to use the appropriate size for each species has changed very little over the years. 8 to 9 inches cages are used for oriental white-eyes, 10 to 12 inches cages for most finches, 14 inches cages for hwameis and magpie robins (slightly larger cages are sometimes used for these species today) and depending on the length of the tail feathers, cages 16 inches and above are used for white-rumped shamas.



VARIATIONS OF BAMBOO CAGES: There are slight variations at the lower part of the circular bamboo cages used for the different species. These slight variations take into consideration their different style of movemments. For examples, the bottom part of a 9 inches cage will come with a circular landing perch that will be raised
a few inches from the cage floor to cater to the smooth 'play' of the oriental white-eye. This provision of a circular perch below also takes into consideration the arboreal nature of this species and will prevent the birds from being forced to make unnatural and awkward landings on the cage floor. A 14 inches cage for the hwamei is provided with two flat landing areas at two opposite ends of the cage bottom, parallel to the perch. These will provide comfortable and appropriately spots for which the hwamei will naturally target to land with their typical up-down movements from the perch. Larger cages for the shamas do not have provisions for landing spots or perches below. These cages are provided only with a single central perch. There is no hinderance all the way down to the cage floor so as to cater for the ground-feeding natural behavior of the shama to feed on the cage floor. It is also a natural behaviour of this species to sometimes display and move about on the cage floor.


AN APPRECIATION OF CHINESE ART AND CRAFTS:
This hobby in my country also includes to a certain degree, the appreciation of traditional chinese art and crafts, often evident on the bamboo cages. Bamboo cages are crafted with traditional chinese
designs or figures depicting chinese legends and folklores. These are carved onto the cages' legs and some other parts of the cages. In the past, well-knowned craftmen in China would take many months to hand craft each cage and these are the ones most valued today. Just like antiques, higher monetary values are placed on old cages that are still in good condition. Machines are mostly used these days in China to make bamboo cages and to carve the designs.













Accessories for bamboo cages are made for practical as well as decorative purposes, usually serving dual purpose at the same time. Accessories made from elephant task ivories are most valued. Whether they are made from wood or ivories, these accessories are also crafted with designs to compliment the main design themes of the cages. Old porcelain cups for birds are valued just like old handcrafted cages.




WHY WE DO NOT PREFER AVIARIES OR LARGER CAGES: Unlike in the west, birds are being kept in bamboo cages without much consideration to sufficient space for exercise. As can be seen from the above sizes used for each species, there is only enough space for a bird to just move around and perhaps at best, with a slight flutter of the wings for exercise. Throughout the history of bird keeping here where birds are kept in the confined spaces of bamboo cages, there has not been much cause for concern for the lack of flight exercise. Granted that they are fed well and cared for, once acclimatised, these birds usually will live to a ripe old age, many exceeding a decade.

A bird that is well acclimatised to its surroundings and to its bamboo cage will over time, develop a 'cage play' (movements within the cage) that is most natural to its species. The size and variation of the bamboo cage will also help to define the type of cage play. Good cage play is highly desirable to the hobbyists here. Over time, a bird well acclimatized to the small space of a bamboo cage will also be conditioned to channel most of its energy into its songs and physical displays. The limited space within the cage can only heighten the intensity of the performance of an in-form bird with an abundance of energy. The same bird if kept in a spacious aviary could not have developed the desired cage play nor will it perform with the same intensity in the aviary where the abundant space will provide other options to dilute the energy during a performance.

SPECIES OF SONGBIRDS THAT ARE NOT KEPT IN CHINESE BAMBOO CAGES HERE: The keeping of the zebra dove as a songbird here in Singapore is the least influenced by the bird keeping traditions originating from the Chinese. The appreciation and methods of keeping this species is heavily influenced by the Thais who popularised this species of songbird in south east asia. Chinese bamboo cages are not used for these birds. The hobbyists of the red-whiskered bulbul in Singapore also do not use traditional chinese bamboo cages. The ways to appreciate the red-whiskered bulbul in Singapore has somewhat evolved over the years and has found its own unique form that requires the bird to be kept in tall cages, quite different from those used by other hobbyists of this species from our neighbouring countries.

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